The Best Camera Backpacks of 2024 | GearJunkie Tested

It pays to protect your investment with the best camera backpack possible. In the past two years, we’ve tested over 15 different camera packs in the wild, taking them on photo and video shoots around the world.

Gear experts, Chris Carter and Kendra Smith teamed up for the start of this guide. Carter comes from roots in freelance videography, shooting for shows on PBS, commercial work for outdoor brands, and personal travel documentary projects. His cameras accompany him to some gnarly locations — so he’s fastidiously fussy about the packs he chooses to protect them with. Smith is an editorial photographer based in Minneapolis, MN. She brought a number of the packs reviewed below on wild romps all over the globe to put them through their paces and gauge their merit. Eric Phillips, an adventure photographer who also works in outdoor commercial and product photography, took over this guide in 2024.

When analyzing each model, we looked for several key metrics, including comfort, ease of gear access, and durability. Every backpack had to stand out in several categories to merit any space in this roundup. Whether you’re looking for the performance of our best overall pick, the Nomatic McKinnon 35L or a budget-friendly option like the CADeN Camera Backpack, we have you covered.

To learn more about the features that make camera backpacks unique, read the buyer’s guide, comparison chart, and price and value summary at the bottom of the article.

Editor’s Note: We updated this guide on October 30, 2024, adding a price and value summary and 3 new packs, the Shimoda Action X50 V2, Deuter Jaypack 34+, and Tenba DNA 16.

Here it is folks, the best of the best camera backpack of 2024! The Nomatic McKinnon 35L ($331) goes above and beyond to provide all the essential coverage for your professional camera gear while taking comfort and style seriously. This is our #1 pick.

Let’s start with the build. The McKinnon Camera pack was constructed with travel in mind. There are two main compartments: the camera gear hub and the luggage hub. The camera gear compartment easily organizes your gear with sturdy padded dividers fitting multiple cameras, lenses, and accessories.

We fit two DSLR cameras, two lenses, a 35 mm camera, a Profoto AX1 flash, and a run-and-gun microphone attachment in the dividers. Additionally, there are multiple mesh zipper compartments for holding cords, hard drives, memory cards, and batteries.

The luggage compartment can easily hold a day or two worth of clothing without the 42L extension or up to 4 days of clothing when opening the zipper extension. There is a separate side computer compartment on the back panel that fits up to a 16’’ MacBook Pro laptop that is well padded and snug. All of the zippers are waterproof and the entire pack is built with ripstop fabric treated with film-laminated TPU65 coating making it extremely water resistant.

When maxing out the luggage compartment, it’s important to note that the backpack will not fit under the economy seats in smaller jet airlines. While hopping over a few states, we weren’t able to fit the pack under our seat or in the overhead compartment since it was a smaller jet. The flight attendants were kind enough to store it in the pilot’s closet.

This is only when filling out the luggage compartment of the pack and on smaller airplanes. If you are on a larger flight, like a Boeing 747, this should be no issue! If used only as a camera gear pack and without filling out the luggage compartment, we found that the backpack would fit in any overhead compartment.

Another feature we really love is the exterior construction, which is sturdy and sleek, with waterproofing materials. Even with all the compartments, straps, and handles, the design maintains a minimal, designer look. The fabric was constructed with high-strength nylon webbing and durable urethane-coated zippers and includes Hypalon lash points and reinforcements that are extremely resistant to the elements.

One of the most important features of this backpack is the compression-molded EVA back panel that includes a hip harness and load lifter straps that relieve the heavy load of your gear from your back to your hips. This makes this camera backpack the most comfortable we’ve tested. The hip strap is removable which is a nice feature to have when using it for shorter days that don’t include as much weight or travel.

After running across multiple airports we did find ourselves wishing that this backpack could turn into a roller bag as the weight ultimately became too much to carry on our back when filled to the brim. This is when the padded, sturdy handles came in handy! Read on for a review of our favorite roller camera bag.

Ultimately, we found the Nomatic McKinnon 35L to be the leading champ in our best camera backpacks roundup for 2024. You just can’t go wrong with this sturdy, versatile, and supremely comfortable workhorse.

If you’re looking for a simple, inexpensive pack that will keep your camera gear safe, you can’t do better than CADeN’s Camera Backpack ($36). The name says it all — this pack gets the job done.

The Camera Backpack’s interior features the standard padded compartment walls. These can be configured to fit anything from two cameras with seven lenses to a camera and a drone plus accessories to just about anything else you can imagine.

As you’d expect in a no-frills pack, you’re not going to find a lot of organizational pockets. So you’re going to have to reserve some space in your main (only) compartment for your SD cards, batteries, and whatever other small items you want to bring. But it does sport a padded interior pocket that can fit a tablet or a 12-inch laptop.

On the CADeN’s Backpack’s exterior are two elastic pockets to hold bottles. One has a strap attachment above it so you can secure a tripod. The other is a flat external pocket to slide in a notebook or other smaller items.

As for the materials, the durable fabric helps prevent rips or snags from surrounding vegetation. The foam shoulder straps are designed for breathability while strolling around the streets or climbing hills on hot, sweaty days.

Obviously, this pack doesn’t have the bells and whistles of other packs on this list — and the plethora of typos and confusing sentences in the product description is slightly disconcerting. But it does what it’s designed to do, and you’d be hard-pressed to be able to say that about any other pack this affordable. Take it from us — and the nearly 11k ratings on Amazon — this budget pack won’t let you down.

We didn’t quite realize the “everyday” element of PD’s Everyday Zip ($220) would truly permeate “every” element of our lives — but hoooboy do we love this backpack! It became our daily driver nearly the moment we slid it from the box, and has quite literally accompanied one of our authors on every trip he’s taken in the last five months of our testing period. Like old thru-hiking backpacks — or his dad’s ancient Kelty external frame riddled with spiderwebs in the basement — this is one of those rare packs he’s already formed an emotional connection with. It’s hard to beat this little beast.

Now, it definitely is a little beast. This isn’t designed to haul every lens in your loadout, multiple camera bodies, or any big fancy flash or audio rigs. Otherwise, it may be sitting at the top of this guide. The 20-liter volume of this gem allows you to carry just what you need for a simple day-long photo or video shoot, while still being fast and limber as you bounce around a wedding venue, or follow a film crew in the backcountry. For a bigger option, check out PD’s larger Everyday Backpack V2, which comes in 20 or 30 liters, and is a bit beefier.

We included both packs in this guide because they are each so darn good in their own way — but we gravitate to the Everyday Zip for some reason almost every time. Its impossibly streamlined, almost space-age silhouette and near-perfect organizational layout have hit the sweet spot for most photo/video gigs we’ve hopped on recently. At just over 3 pounds it floats behind you, providing all-day comfort as long as it isn’t overloaded.

The Everyday Zip has a wrap-around zipper instead of the MagLatch closure hardware of the Everyday Backpack, less internal space, FlexFold dividers, and less external carry capacity. This may seem like a con, but to us, the simplicity has allowed us to be more efficient and grab our gear faster from any angle than we’re used to with the Everyday Backpack. It’s also one of the more stylish bags we’ve tested.

Two easy-to-customize FlexFold dividers can be configured in limitless ways inside the pack via Velcro, allowing you to carry more lenses with a smaller camera, or a larger cinema base rig with one or two lenses. A small zippered pouch up top stashes cords, SD cards, and tiny knickknacks. Magnetic pouches sit above zippered pockets on each side panel for more internal separation. A zippered laptop sleeve on the back is divided into two pouches, which easily accommodate our 13″ MacBook Pro and iPad. A couple of other small pouches help with the endless spaghetti of cords and chargers.

We’ve been consistently rolling with a Sony FX3 body and two medium-sized cinema and GM lenses, paired with a shotgun mic, and even a small LumeCube light or two, along with a DJI Mini 3 Pro drone — which all fit comfortably inside the pack with extra room to boot. Laptops are a tad hard to remove when the pack is fully loaded, though.

What makes this backpack shine is its zipper and compartment layout. The pack features top and dual side access via a single 270-degree wrap-around zipper, with four different zippers to open whichever compartment of the pack you need. Robust handles on each side of the pack allow you to whip it around with ease to quickly access each segment, and the rotating shoulder straps let you drop the pack onto one shoulder and rip it open without plopping it on the ground. It just flows so well with our every movement, and seems to accommodate any scenario we find ourselves in on a shoot.

The 400D and 900D nylon canvas shell with a DWR coating shrugs off significant torture, and while this isn’t necessarily designed as a “hiking” pack, we’ve taken it to some wild outdoor locations and put it through its paces. It’s kept our gear dry in light snow and surprise showers, and resisted rips during multiple desperate bushwhacks trying frantically to get that perfect sunset shot.

Drumming up any cons for the Peak Design Everyday Zip feels downright impossible. But if we have to get nitpicky, we wish the shoulder straps had more padding (gets a bit uncomfortable when fully loaded), the sternum strap was a traditional buckle, and the laptop sleeve wasn’t so tight. Those qualms aside, this has got to be one of the best feats of engineering in the camera pack universe. We could go on and on, but in short — just buy the dang thing. You won’t be disappointed, and it’ll probably live on your back forever!

A quality adventure pack lets you carry a lot of weight without feeling heavy, and the Shimoda Action X50 V2 ($350) is just that, thanks to its extra-wide padded shoulder straps and hip belt. The X50 has 4 different adjustable torso height settings, meaning it can fit both tall and short users with a custom fit.

The pack breaks down into two parts: the camera compartment and the roll top. The camera compartment fits one of Shimoda’s modular core unit insert systems. These modular cube systems come with a dust/snow cover and fit perfectly into the X50 with a great padding-to-weight ratio. However, they are sold separately from the pack, which is an extra cost to consider. To access everything at once, you can open the large rear hinge. Or, use the side flap for quick underarm access without removing the pack. The expandable top compartment has a liner, mesh pockets, and, most importantly, an expandable 7-liter roll top for carrying extra outdoor gear. The only feature we didn’t like was the rear entry flap because it required undoing a magnetic buckle. This means setting the bag on the ground where this magnet would pick up rocks and debris.

This pack was designed for photographers taking part in outdoor activities. So, the Shimoda Action has side ski carry straps, side water bottle pockets, rear gear carry straps including a helmet holder, and two large front pouches on the shoulder straps perfect for carrying a phone on one side and snacks on the other. If you’re looking for a larger or smaller version, the Action X line also comes in a 30L and 70L version.

Over the course of a summer in Colorado, we tested the X2 on several adventures. We used it while guiding hikes for the Crested Butte Wildflower Festival, mountain biking a 20-mile loop, and lugging multiple cameras, tripods, and outdoor gear up to 12,000 feet for a night of photographing the Northern Lights. The waist and shoulder straps really stand out in terms of comfort after a long day in the pack. The extra wide shoulder straps distribute weight better than other bags when strapped down tight. We can do dynamic movements like running and biking without the bag bouncing around or causing discomfort from pinch points. The expandable roll top can be stuffed with multiple layers, including extra large belay parkas, extra pairs of shoes, oversized first aid kits, and anything else you need to lug around on a long day. Overall, the Shimoda Action X50 V2 ($350) is a great choice for any photographer looking for an adventure-ready camera bag.

When you’re a traveling photographer and you tend to bring your gear in a carry-on backpack, you can understand just how heavy your gear can get when standing through security lines, walking to and from gates, and on to your destination. The Lowepro Pro Trekker RLX 450 AW II ($470) is the perfect companion for traversing through cities and airports as an incredible camera backpack, with wheels.

Lowepro created the best “convertible camera backpack-roller” that protects and organizes camera gear in a compact, carry-on size. Like most of Lowepro’s gear, this backpack is a part of their “green” line with 69% recycled fabrics and comes with an all-weather rain cover. The ability to wear your camera backpack through any element with the option to convert to a roller bag is extremely helpful when traveling.

We tested this pack on an international trip to Belgium and the Netherlands. As you may suspect, it rained often on this trip and required the rain-fly which stood the test to the elements of both rain and street grunge. Both the camera backpack and roller bag modes were put to use at various times.

The Lowepro PRO Trekker RLX functioned as the carry-on on this trip and was worn as a backpack when traveling with a large carry-on suitcase. Once the suitcase was checked, it was easy to convert the camera backpack into a roller bag for ease of exploring the airport without the added weight on the back.

How does this magical camera backpack convert you may ask? The back panel has a padded barrier that unbuttons to hide the backpack straps so they are not in the way of the roller bag or dragging. The buttons are very tight which makes it great at holding in the straps but a little tricky to fold in the straps nicely. It takes a little effort but is well worth the momentary struggle for long-term utility.

What we also really love about this pack is the amount of storage options. Like most camera packs, the padded dividers can move about to fit your gear, and are structurally sturdy. No one likes flimsy camera dividers. This pack also includes a separate zipper pack that can fit hard drives and other accessories that you may want to grab easily. There are two large zipper compartments on the internal back and up to 12 divided areas for camera gear or other accessories.

On one trip, we fit a Canon R5 with a 35mm macro lens, a Nikon 35 mm film camera, a Leica 35 mm point-and-shoot camera, multiple rolls of film, two LaCie hard drives, and two memory cards. The rest of the space was used for additional items needed in flight. The external compartment has space for a laptop or iPad, and book. There is a front zipper that is perfect for earbuds, pens, etc. Lowepro states that the laptop compartment fits a 15’’ laptop but we found that our 16’’ MacBook Pro fits just fine.

When it comes to air travel, it’s no surprise that the Lowepro Pro Trekker RLX 450 AW II comes in first as the best Camera Backpack for Flying. It is the best we found for professional photographers who need maximum camera space and protection — without giving into a hard gearbox.

The overall weight of a camera backpack can be critical when traveling any distance with your gear. That’s why we recommend the Manfrotto Pro Light Backloader ($215) for an easy load with maximum protection. It’s sturdy yet lightweight and fits the maximum amount of gear in a backpack.

We suggest this camera backpack when traveling about town and on flights that require a lighter load and security. Weighing in at just over 4 lbs, the Backloader maintains a secure cube system with a new “M-Guard Protection System” that is shock-resistant and lightweight. The dividers are made of high-density EVA foam that is both thin, protective, and easy to maneuver to fit your gear. We stored two DSLR cameras, a 24-70 mm lens, a 35 mm lens, an on-camera flash, a 35 mm film camera, and a jumble of charging accessories.

The outer shell of the backpack is reinforced with a “viscoelastic memory foam” that absorbs impacts without an overly thick appearance. There are simple clips on the side to hold a tripod or other items if you get creative with travel! The 16’’ MacBook Pro fits nicely in the front laptop zipper with room to hold an additional notebook or other small accessories. It seems that any charging devices would be best stored internally, either in the top cubby that is accessible from the top zipper or in one of the three pockets on the inside of the back panel.

One thing we really like about two of the pockets is that there are no zippers, making it a little quicker to grab while holding items securely. It is also important that the pockets are mesh which allows you to see what is inside without digging around! This backpack does not have waterproofing built into the zippers but does come with a rain cover.

If traveling with a roller bag, rather than the traditional back sleeve, the backpack has a side handle to hold onto a suitcase and fits snugly under the seat of an economy flight. We use this backpack both for flight travel and as a daily gear pack when going to various shoots in the city that require more than one camera. Additionally, there are hip and chest straps available when the load does feel extra heavy. These are simple and not padded but a nice option for longer journeys.

Lastly, the Manfrotto Pro Light Backloader really focuses on the protection of the gear, not only from impact but also from theft. The backpack does come with a “TSA lock” that is handy to add a little more ease when traveling but we would never suggest that your camera backpack be checked! This lightweight backpack allows you to carry heavy gear with the least amount of added weight as possible with ultimate protection.

When the film or photog gig demands overnight forays in the mountains — or there’s just too much dang gear to haul in a smaller day pack — you’ll need something akin to a traditional backpacking pack to schlep your precious glass.

Camera backpacking backpacks are surging in popularity as filming long excursions with expensive gear becomes more and more a possibility for the prosumer. After taking a few of these hardy beasts on long romps in the woods, we narrowed in on the sleek and light Moment Strohl Mountain Light 45L ($250) pack as our top pick for this niche category.

Though not the most specced out and technical heavy hauler on the market, the Strohl stood out as a healthy balance between function and weight, while still keeping a basic camera setup safe from the trials and tribulations on the trail.

We admit, our backpacking mindset lands squarely in the ultralight cult — so read on with that in mind. We are constantly searching for ways to streamline our setup and whittle down our base weight on long thru-hikes or even weekend missions on trail.

While chucking multiple lenses, heavy camera bodies, mics, etc. into our classic ultralight packs we quickly realized how impossible it is to keep the featherlight weights we’re used to, and how quickly our shoulders start screaming at us. However, it’s easy to swing to the other fringe of the spectrum and snag a bag with so many compartments, straps, and cushions that you end up hauling way more than you ever should on a multi-day battle in the wilderness.

The Strohl treads the fine line between ultralight minimalism and supportive comfort for carrying clunky loads. A full suspension system and internal frame transfer hefty loads to the hips well, and it has an overall balanced feel as you trot and bounce over variable terrain.

A plush hipbelt, shoulder and hipbelt pockets, side straps, a removable brain, a molded back panel, and near-waterproof Cordura fabric decorate this pack — though it still boasts a modest weight of 2 pounds, 6 ounces. No small feat!

Quick camera access was clearly a goal of Moment when designing this pack. Swing it off your shoulder, plop it down, and rip open a subtle storage compartment that sits right on the lumbar portion of the back panel. The lid slides smoothly open, giving you unrestricted access to a large camera and multiple lenses. You can easily stash your own camera cube in this space, or grab Moment’s own MTN Light Camera Insert ($50) for seamless integration and sturdy attachment with the pack.

The insert can accommodate camera sizes up to a Canon 5D body with four lenses. Unfortunately, this insert doesn’t come with the pack and must be purchased separately — which stands out as our biggest ding to an otherwise incredible model.

The Moment Strohl Mountain Light 45L is a dream for the ultralight creative. It allows you to stash days of food and supplies above your camera gear, and head into the hills with confidence and a spring to your step. Don’t let intimidating backpacking missions keep you from capturing them with cinema quality!

The Deuter Jaypack 34+ ($310) is basically a modular camera insert with backpack straps. Almost the entire backpack is one extra-large main compartment with a range of dividers that allow for endless customization options. This versatility means you can pack almost anything inside the backpack, like 600 or 800-mm lenses, full-size gimbals, or even drones. you can pack any other larger item that wouldn’t normally fit inside a backpack with ease. When using the Jaypack on our adventures, we have no problem fitting a camera with a mounted 400mm lens, extra lenses, and a full-size drone bag.

Additional storage comes in the form of a full-width and length front pocket complete with an organizer. We only wish this pocket was a bit deeper so we could keep more essentials organized, like batteries, memory cards, filters, and tools. A lockable compartment up top rounds out the storage options. The lid is also expandable by 4 liters, meaning we have room for an extra jacket or snacks. Deuter is also known for its sustainability practices, and this pack is no different. It boasts a PFAS-free rating and is 100 % recycled pre-consumer waste.

The design, however, could use a little work. The Jaypack 34+ feels bulky, especially when we loaded down the main compartment. And, though it comes with gear straps for attaching tripods, the straps are thin. We wouldn’t trust the flimsy straps to hold a heavy-duty tripod or any other adventure gear like skis.

We took the Jaypack out on multiple hikes in the Colorado Rockies, ranging from short one-mile trips to longer 5-mile hikes. No matter how much gear we wanted to bring, the Jaypack swallowed everything, including a full DJI Air 3 drone fly-more combo kit with its original carry bag. It is the only backpack we tested with a camera compartment large enough to store a full-frame camera body with a 400 mm telephoto lens and hood. We feel confident you could fit a 600 mm lens (or larger), making it the perfect choice for a wildlife photographer.

The only downside of the extra large camera compartment is that we have less room for other outdoor gear, like extra layers. Overall, the Jaypack 34+ is a well-designed option for wildlife or sports photographers who want to store large telephoto lenses inside the camera compartment.

While photographers are generally behind the lens, the Tenba DNA 16 ($230) looks just as good in front of the camera as it does carrying one. This well-thought-out bag is good for when you don’t need every lens in your arsenal or just want a versatile bag that moves easily from a shoot to the office and back again.

The unique feature of this bag is its camera compartment. Unzip the front, and the removable camera insert tilts open. This system makes it easy and fast to grab the camera body from the top of the insert. However, the narrow opening makes grabbing anything else in the backpack more challenging. Remove the padded camera insert to more easily access its contents, or remove it entirely and use the bag as a non-photo backpack. This backpack comes with built-in storage for your camera so there’s no added expenditure for additional camera cubes like you need to buy to properly use other bags like the Shimoda X50.

Up top on the Tenba DNA 16 is a large roll-top cargo pouch. The bag is water-resistant when rolled tightly, and an easy-to-use magnetic buckle keeps the roll top secure. It expands when you need that extra cargo space, but the roll-top design keeps it stylish and compact. Since the bag is on the smaller side, it’s very comfy and hard to overload. The hip belt isn’t anything fancy, but it does get the weight off your shoulders. Even though it’s a smaller bag, we still fit a 16’ laptop, making it great for days when we crank out a photo shoot and then go to the local coffee shop to process images. While it does have side pockets, they are too small to fit a full-size Nalgene or a larger tripod. We would recommend adding some heft to the pockets to increase the carrying capacity of this backpack.

The Tenba DNA 16 is the bag we grab whenever we need a camera backpack suited for a more urban setting, like walking to the local coffee shop to edit photos or for a day full of meetings and site visits where we’re lugging a laptop, coffee, chargers, and a jacket. Thanks to the easily removable camera insert, stylish design, and large laptop sleeve, this is the only backpack we like to use for normal, noncamera activities around town, like going to the gym or office. We have taken this backpack on some short hikes, but for bigger shoot or hike days, we gravitated to the larger capacity backpacks. The Tenba 16 is stylish, well-designed, and ideal for photographers who mainly stick in urban settings or need to easily go from shoots to the office and back again.

Now, we don’t like to use the word “perfect” in this line of work, and well… we aren’t going to use it now. But boy were we tempted with this review! Lowepro clearly (based on the concentration of packs in this guide) stands out as perhaps the most prominent producer of incredible camera packs, and their Flipside Trek BP 450 AW ($290) carries the torch of their reputation. This thing is simply magical to use on gear-intensive photo/video shoots.

Our author had this pack on his Amazon wish list for years before writing for GearJunkie, and it represented the “dream” camera pack for him as he perused options online and dabbled in the freelance filmmaking world. His budget, though, didn’t quite allow it at the time. It wasn’t until actually building this roundup that he had the opportunity to test it — and it was just about as good as he imagined.

For us, this pack carries just about the optimal amount of bodies, lenses, and miscellaneous camera trinkets for a full day of shooting or filming, with a modest amount of personal belongings in tow. We do wish the “open zone” compartment for personal gear was a bit more robust — but you can’t have it all. It does have a small compartment for an iPad.

With the amount of camera storage you have available, it’s easy to pack on the pounds in this pack, but the ActivZone suspension system makes it bearable. This thing carries like a breeze and feels incredibly balanced.

Ease of access to our gear from any angle is a vital characteristic we sniff out when reviewing camera packs. With sleek “Flipside” side access technology, and a hinged lid and back panel that nearly entirely folds open to the camera compartment, the Trek BP 450 scores top marks in this department.

This creative combo allows you to wear the waistbelt, flip the bag around your body, and access your gear without ever having to set the packs on the ground. A cherished touch on high-pace shoots.

The streamlined silhouette seems to contour perfectly with our body, and it’s just a downright rugged, good-lookin’ bag. Tote a day’s worth of pricey glass and a modest amount of personal goods on trail, or bop around a professional set with about as much comfort as you could ask for — the Lowepro Flipside Trek BP 450 AW is the tool for the job.

A daily camera backpack is one you typically want for working remotely, commuting about town, and carrying some camera gear along the way in case something captures your eye. We found that the Hex Back Loader V2 ($200) backpack is the perfect daily companion.

This camera backpack seems to keep in mind the work of journalists, influencers, and social media gurus who need their DSLR handy with a mic and maybe a few lens options. Lighter than the Manfrotto Light — the Hex isn’t ideal for large amounts of heavy gear but does match perfectly for daily work life.

What we found especially great about this backpack was the pockets for everyday items like pens, notebooks, your laptop, iPad, and other accessories — including a bottle holder for your water, coffee, or wine. It’s clear it was made with everyday work life in mind. The outer shell is water resistant but unfortunately doesn’t come with a rain cover — you’ll have to fit this one under your rain jacket for the rainy season.

There’s a top zipper to easily access a camera or lens while on the go. And the straps of the pack and the entire back outer panel have this nice mesh fabric that seems to breathe well. We’ve all experienced those sweaty back and armpits from backpacks so we found this especially nice to counter sweat. Additionally, there are two simple clips on the Loader V2 to strap in your tripod or glamor light.

Internally, the camera pods do hold a good amount of gear but we would be careful to put the most valuable and likely heaviest gear in the center panels as the outer shell lacks substantial protection from a bad fall or hit. Like most camera backpacks, the pods are adjustable to your gear and liking!

The first thing you notice about Lowepro’s ProTactic 450 AW II ($230) is its understated design. A flat black exterior with webbing throughout perfectly blends style and utility. As great as the exterior looks, this pack really shines when you open it up.

With enough room to fit two DSLR or mirrorless cameras, additional lenses, and even a drone, you won’t need to decide which device to take on your trip. You’ll simply be able to bring the best gear for whatever situation arises.

The padded, flexible dividers can be adjusted to multiple configurations. This allows you to arrange your camera gear however you want. And the tough EVA-molded top padding all around the backpack keeps it safe.

We love the ease of entry and gear accessibility of this design. We can grab our camera from the side of the pack on the go, thanks to a lower-corner entry point with a zip closure. There’s also a top entry point. We can also lay the pack flat and open the full face of the front via a U-shaped zipper.

The ProTactic 450 AW II features smaller pockets in the back panel to keep your batteries and cords organized. Further, quick-lock straps and a tripod cup let you attach a tripod for traveling.

Want to do your edits on the road? Lowepro has you covered with a protective laptop pocket that will hold up to a 15-inch laptop. And the integrated water-resistant rain cover keeps everything safe and dry if you get caught in a downpour.

No matter how protective a backpack is, it won’t matter if you hate carrying it around. But Lowepro thought of that as well. The brand added targeted support at the shoulder blades, lumbar, and waist so you can haul your gear all day in comfort. Ultimately, this is an excellent day-in, day-out photography pack.

You probably know Thule from those sleek rooftop cargo boxes you see on that Subaru flying by you on the freeway toward some exotic destination — but the brand also makes excellent packs. And the Covert ($320) lives up to its reputation for quality and innovation.

The first thing we noticed was the removable padded camera pod that can be worn as a sling or shoulder bag. This separate pocket can hold a DSLR camera with an ultra-wide-angle lens and a DJI Mavic Pro drone.

Cleverly, you can pull the pod out and just take your camera and drone with you without hauling all your gear. The camera pod sports a unique design quirk — the interior organizer takes inspiration from origami, folding in multiple configurations so you can store your cameras however you’d like.

We also love the Covert’s roll-top compartment. It’s spacious enough to carry personal items and adds a touch of flair to the pack. The customizable interior will hold two lenses, a flash, and all your drone accessories.

An interior partition separates personal gear from fancy camera glass, and fully unzips to tuck away into a mesh pocket for unrestricted use of all internal space. This is especially helpful if you decide to remove the camera pod and use this as a more traditional travel pack. The durable nylon exterior is somewhat water-resistant — though you don’t want to be caught in a downpour without a pack cover.

Additionally, the back-panel laptop pocket will fit both a 15-inch laptop and a tablet. Keeping everything organized is a zippered separator between the roll-top compartment and the bottom compartment. Plus, a wide range of stash pockets offers quick access to your accessories. So many pockets and pouches are nice, but can get a bit overwhelming at times, and we often forget where we’ve shoved small trinkets. For the hyper-organized however — this is a dream come true.

Thoughtful features have been added since previous iterations, including a sparsely padded hipbelt that can be stowed away, and a luggage pass-through panel on the back that easily attaches to rolling luggage. All in all, the Thule Covert is a sleek, stylish bag that offers supreme organization in a compact package. We’ve been really digging this pack for gear-intensive day shoots where a million little cords, lenses, filters, and cameras need their own separate home.

The Lowepro Fastpack Pro BP 250 AW III ($178) is an equally stout and dependable everyday adventure camera pack as our top choices — so don’t let its location in this guide dissuade you! The main compartment fits a DSLR, several additional lenses, a folding drone kit, and a 15-inch laptop.

It also has extra space for personal items. The exterior pocket and security strap nicely carry a tripod, and accessory pockets inside and out help us keep all the accessories neatly organized.

Beefy, U-shape pull tabs on the zippers make access to the pack’s primary zone that much smoother. The topmost section of the pack is an open area and a nice storage hammock for everyday stuff — a midlayer, rain jacket, wallet, and the like.

The middle front pocket zips open with additional storage pockets inside, including one with a tricot liner that’s friendly against a phone screen or sunglasses lens. An external pocket on the front is spacious for keys, a wallet, or a small journal.

The electronics garage is in the bottom half. The Fastpack Pro BP 250 AW III’s device zone features interior molded-in dividers that are adjustable, which makes them easier and quicker to switch up compared to Velcro attachment points.

On the side, there’s a quick door for fast, easy access even while the pack hangs over one shoulder. Once the glove-friendly safety buckles are opened, that same zipper wraps around to the front, allowing a greater range of access to gear.

To help withstand a sudden onset of rain, an included all-weather cover pulls over the pack for additional protection. Otherwise, the exterior fabric on the bottommost half of the pack is PU-coated to prevent damage from dirt, moisture, or rough vegetation. The fabric on the upper half is a robust 300-denier ripstop that’s weight-saving.

We really appreciate the padded waist belt, which means running a mobile office can be that much more comfortable and supportive of our long-term back health. Also, the security loophole is a nice touch — the wide U-shaped zipper pull fits into a buckle, so thieves can’t open the device zone as you wear the pack. (But a lock system would be necessary if you’re not wearing the pack.)

The pack can sit upright solo too. It’s no surprise we like more than one camera pack from this solid brand.

Gear from San Francisco-based company Peak Design is well-known for its minimalist look combined with an ingenious design for travel and everyday life. And the Everyday Backpack V2 ($280) is no exception. The exterior’s clean lines and absence of excessive straps give it the impression of a dearth of features.

But once you open the pack, you’ll find that plenty of thought and innovation went into its design. This pack is very similar to our runner-up best overall, PD’s Everyday Zip 20L, but offers a bit more protection and storage.

You can easily configure this pack for photography or videography alike, and its versatility is truly where it shines. It holds enough room in the main compartment to fit a DSLR camera and nearly five extra lenses or a DJI Mavic drone and all the necessary accessories. It stores them in the form of three slide-out divider shelves that are accessible via the zippered side pockets.

The dividers can fold into different shapes to allow you to customize the configurations to fit different styles of gear. A protective laptop compartment will accommodate up to 15-inch laptops and it can be adjusted to fit smaller laptops.

The pack has additional pockets for tablets and documents, and the side access panels have smaller zippered pockets to store memory cards, batteries, and smaller items. For ease of travel, three padded grab handles are placed on the top and side for a briefcase-style carry.

The Everyday Backpack V2’s bottom is lined with 900-denier waterproof fabric. Otherwise, the durable fabric is a blend of nylon, polyester, EVA, and super-weather-resistant Hypalon.

We appreciate the brand’s innovative, earth-friendlier manufacturing choices: a 100% recycled 400-denier weatherproof shell and the solution-dyed charcoal color option, which saves energy and water. The weatherproof zippers help prevent moisture entry, and the mesh padding along the back is breathable and comfortable.

Designed as a daily driver workhorse, the pack works well even if you’re not taking your camera gear with you. Sliding out the dividers provides plenty of room for your laptop, along with anything else you need for your day — lunch, a jacket, and a 12-pack of adult beverages — with some extra room for anything you pick up during the day.

If you need a bag that can go anywhere regardless of the weather, the WANDRD PRVKE 21L photo bundle ($299) is the way to go. Consisting of the PRVKE 21 pack, accessory straps, a waist pack, and a rain fly, this rugged set is one of our better picks for hiking on this list.

The back panel and shoulder straps feature improved comfort through a more ergonomic shape and additional padding. Plus, there’s a side access port to quickly grab the camera while you trek. Otherwise, the clamshell opening makes gear access so simple and easy on the fly. Magnets in the handles mean they can snap together for a tote-style carry.

This 21L pack’s main body can fit your camera body, extra lenses, a drone, and a flash unit in the main compartment with its removable padded separators. If you need to bring more along, the expandable rolltop unfurls to add an extra 5 L of space to the pack. Smaller internal pockets keep your accessories organized.

Pockets galore! We especially like the elastic mesh internal pockets that allow you to store your SD cards individually for easy access. No more digging around in the bottom of your pack looking for that SD needle in the haystack.

We also love the large, streamlined front organization pocket, which is a solid spot for a journal or field notebook. The hidden passport and cash pocket (which is built into the lower half of the back panel) is a tad larger than the pack’s earlier edition, and three accessory pockets are now on the laptop and tablet sleeve.

The laptop sleeve will store up to 16-inch laptops, and the tablet sleeve will fit up to 12.9-inch screens. The felt-lined tech pocket will keep your phone, sunglasses, or other scratch-prone items safe.

True to the bag’s “go anywhere” design, the removable waist belt allows you to customize your harness system to wherever you go. You can take off the straps for taking pictures around town, and then add them again for photoshoots out in the backcountry. The WANDRD PRVKE 21L is a stylish, functional, and protective bag for just about any destination you want to capture.

With decades of experience behind the lens, GearJunkie’s rabble of creatives is no stranger to flashy photography trinkets — and they know the importance of keeping that precious glass safe and sound in any environment.

A good camera backpack is the foundation of a successful shoot. It keeps thousands of dollars of heavy, fragile gear cocooned in cushy compartments and is the difference between getting that perfect shot or endlessly fumbling around while the sun sinks below the horizon.

For that reason, our team doesn’t take our testing lightly. We rummaged around online forums, bugged our pro photog contacts, and scoured the tables at gear shows to narrow in on the absolute best roundup of camera backpacks on the market. Rest assured — this list represents the crème de la crème of these niche packs.

These backpacks wound their way along cobblestone streets in Europe, bounced across the dusty African savannah, slowly plodded up endless Sierra switchbacks in California, and were thoroughly abused in the Colorado backcountry. We clocked some serious distance and time with each model and would feel confident recommending any one of them for your various photography ventures.

Senior Editor Chris Carter and GearJunkie contributor Kendra Smith joined forces to spearhead this guide. Taking over 10 different camera backpacks on shoots and adventures all over the world, they reviewed this fresh stock of packs over a year-long testing period before settling on the list above. In 2024, adventure photographer Eric Phillips took over this guide and tested 5 new backpacks. Some backpacks he’s been using for a few years, while he tested others for 6 months. Eric is most known for his images that capture compelling landscapes, human exploration, and outdoor industry news. His outdoor photos have been featured in local and national publications, including 5280 Magazine, REI Co-op Journal, SNEWS, Elevation Outdoors Magazine, and Adventure Pro Magazine. Through his experience, he has learned what makes a great camera backpack, and his critical testing is key to the recommendations in this guide. If you prefer a bag or sling-style camera bag to protect your precious cargo, check out our guide to the Best Camera Bags.

When considering the perfect camera backpack for your personal or professional pursuits, it’s important to think of location, distance, accessibility, and capacity. Additional considerations are materials and capacity, comfort, and value. Things like weather, durability, body type, and budget will also come into play when making the best personal choice in a camera bag.

If you’re an outdoor enthusiast, you may want a simple hip pack to carry your camera and other essentials, while a professional photographer will need a pack with substantial weight capacity along with storage and good padding for protection. In any case, thinking through when and where you’ll use your camera backpack will help guide your purchase. Below are a few good questions to ask yourself before making your purchase.

It’s worth noting that all of the packs we listed above serve the niche purpose of transporting and protecting sensitive camera gear. If you’re on the hunt for other backpack categories, be sure to check out our comprehensive review on the absolute best backpacking backpacks, or our streamlined roundup of the best daypacks for everyday use. All of these packs could also be converted to DIY camera backpacks with the inclusion of some nifty camera cubes — but it sure is nice to have an all-in-one package.

As every photographer knows, location is everything, and with that comes weather, lighting, and terrain. These aspects will inform some of the most important elements your camera pack should be prepared for — and hopefully help narrow down your options.

Based on location, a common accessory to many photographers is the tripod. Most camera backpacks have clips to hold a tripod but this very much depends on the size and weight of the trip, so look out for the specs of the pack and your tripod when considering how important a tripod holder is to your camera backpack.

If you know there is a higher risk of inclement weather, you will want to look for waterproofing or water-resistant materials on the fabric, zippers, or a rain cover. Another major element to consider is dirt and dust. At the very least, good camera backpacks keep dirt from getting inside your pack, so check out the materials section below for more information.

When choosing your camera backpack, consider the full range of conditions and environments you plan on shooting in. This will largely determine the capacity, materials, and overall organizational features of the pack that are best for your needs.

Knowing how far you need to travel with your camera backpack will help inform how durable your pack should be and how much weight you’re willing or able to carry for that distance.

In general, thicker materials with double-stitching in the seams and straps will help your pack manage normal wear. Ripstop and other strong materials help with extensive wear for increased or long-term use. It’s important to note how much or little space that your pack allows compared to your gear. Ironically, the tighter your gear fits into your pack, the better, as extra room allows your gear to get knocked around while traveling. Either get the perfect fit or find ways to make that space tighter.

If you’re carrying your pack longer distances with substantial weight, you’ll definitely want to consider choosing a backpack with waist and chest straps to balance the weight distribution of your gear. A good long-distance pack also has substantial padding around the walls of the front, back, and side of the backpack as well as the interior separators.

We narrowed in on the Moment Strohl Mountain Light pack as our heavy hauler of choice for long backpacking trips. The AtlasPacks Athlete Camera Backpack is another — slightly smaller — stellar pick in this category. Packs like these allow you to safely carry a full camera loadout in addition to a basic backpacking kit for multiday travel in the backcountry.

Inevitably, you’re going to have to cross some big ponds during your filmmaking/photography exploits — which can be an understandably disconcerting experience. Not everyone — TSA *cough cough* — understands just how fragile and expensive this glass can get. Horror stories abound of camera gear getting ruined in transit between countries.

Your best line of defense against these woes is to carry all of your pricey gear in either your carry-on, using a backpack like the Lowepro Pro Trekker RLX 450 AW II, or your personal item. You can then stash more durable gear like a tripod, mounts, or a bulky camera cage in your checked bags.

Our favorite combo for schlepping gear for even moderately complicated shoots abroad is to slot a large camera cube, such as PD’s Medium or Large Camera Cube V2, into a hard-sided carry-on like the one above, and fill it with any assortment of lenses, mics, or sensitive filters. We then pack our pricey camera bodies and some of the more expensive lenses in a smaller personal item-sized camera backpack — like PD’s Everyday Zip 20L or the Tenba DNA 16.

This streamlined combo has allowed us to haul an absurd amount of film gear all over the world for everything from simple photo gigs, to complicated multi-month international video projects. Never once have we had to put anything fragile in a checked bag. Though this does make our personal items quite heavy, it’s a price we’re willing to pay for peace of mind.

Checked bags get chucked haphazardly around while loading and unloading onto planes, and we’d rather not worry one bit about a cracked lens or broken body. With that said, we’d still recommend purchasing gear insurance before going anywhere too wild.

If your camera loadout is simply too massive for your personal luggage, you can splurge on something like the bombproof 1615 Air Case from Pelican to check sensitive gear — but this gets pricey fast.

We recently were able to shove multiple camera bodies, a slew of bulky lenses, camera cages, gimbals, mics, monitors, and all manner of awkward-shaped tech accessories into this carry-on/personal item combo and travel stress-free to Africa for a months-long video project in brutal conditions.

The multiple access points of PD’s Everyday Zip, and easily accessible organization of the camera pod in our carry-on, allowed us to quickly reveal our suspect film gear to prying airport security eyes without having to spill all of our personal contents on the ground at checkpoints. A cherished detail.

When traveling internationally, it’s safe to assume that expensive camera gear will be scrutinized while going through airport security. It’s therefore best to have everything as easily accessible as possible if/when your bag gets pulled aside to be rummaged through.

It’s also helpful to have an itemized list on hand of what camera gear you’re bringing into the country, and its rough monetary value — as we’ve been asked for this on multiple occasions while traveling abroad. Having to scroll through your recent Amazon purchases to wrangle this info together last minute while folks wait impatiently behind you is less than fun.

Camera pods/cubes are another important feature to consider, and can be immensely helpful when flying or road-tripping around — as mentioned above. Pods, or “camera cubes” can make many different backpacks into camera backpacks, and are smaller inserts that fit within a larger pack. They generally have foam dividers for cameras and lenses, and vary in sizes.

First, be on the lookout for pods that are and are not included. Many packs are now offering pods as an add-on to create a more customized bag that can double as a camera backpack or regular pack. The add-on options allow you to choose what size of pods you need. In any case, try to visualize where your gear will be placed in the pods, how many you need, and how to customize them to your needs.

Some of our favorite camera cubes are Peak Design’s Camera Cube V2s and Lowepro’s GearUP Pro Camera Boxes. We’ve been using the small and medium PD cubes to make our regular carry-ons into full-fledged camera rollers, and the GearUP Boxes for carrying loads of heavy bodies and lenses on backpacking trips.

The ability to slide them in and out of any backpack makes these shoo-ins for just about any adventure we’ve gone on during this testing period. The PD cubes also work seamlessly with all Peak Design bags — such as their sleek Travel Duffels — and can be securely clipped into attachment loops within the bag.

We love being able to store a body and one or two lenses in LP’s GearUP Boxes, and slide them vertically into our backpacking backpack for quick, multidirectional access to our camera mid-trek. The GearUPs have a large zippered opening on the front to access everything when you pull it out of your pack, or you can open a smaller door on the top to slide the camera out when the pod is slotted vertically, nestled among your gear (see above). If you aren’t using a dedicated camera backpacking backpack — like Moment’s Strohl Mountain Light pack — this can be a great solution for the trail-trotting creative.

Camera cubes can also be used to add more gear storage to camera backpacks. Often times, the included camera compartment of camera backpacks just isn’t enough, and cubes can be added to personal gear sections of the pack to safely store additional sensitive gear.

This is perhaps the most important feature that we sniff out when analyzing a camera backpack’s worth, and each pack seems to have its own unique way of allowing you to quickly snag your gear. Manufacturers of these packs face the difficult challenge of crafting a design that keeps fragile glass safe, while still allowing you to swiftly rip the pack off your back, and easily access your camera the moment that perfect shot materializes.

Multidirectional zippers, various access points, and strategically placed Velcro dividers all aid in this complex process. Perhaps our favorite accessibility layout can be found in PD’s Everyday Zip 20L. The pack features top and dual side access via a single 270-degree wrap-around zipper, with four different zippers to open whichever compartment of the pack you need.

Handles on each side of the pack allow you to rip it around with ease to quickly access each segment, and the rotating shoulder straps let you drop the pack onto one shoulder and rip it open without plopping it on the ground.

Not all packs have this level of complicated tech — nor would you necessarily need it. It’s important to determine how complicated or simple you want your back to be, which largely depends on the type of shoots you plan to be involved in.

Some photographers need quick access to their camera backpacks while others use them purely for transportation. Knowing whether you need to easily access your camera while on the move is another important step in choosing the right backpack.

There are packs with top and side access, as well as loops on the straps to add camera clips. One of the best features of well-designed camera packs is a side door entry that folds open, so you can reach in and grab your camera, even with your pack still on.

Usually that zipper extends further to the other side of the pack, too, so you can get a full bird’s-eye view of your equipment (while stopped with the pack lying flat on the ground). A clamshell opening is also a solid design, so that the bag’s exterior completely opens up for visibility on all of the gear.

Another consideration is where the camera compartment is located in the pack. The zipper could be closer to the back, near the front, or down along the sides. Some like their gear uber secure, leading to more difficult access but added protection, while others prefer to be able to get to their camera from the back or outer zipper. Accessibility really depends on your primary focus for your gear.

Every good camera backpack will have a tripod holder. If the bag you’re considering has one, it’s usually located on the exterior of the pack. Many packs use a pocket that usually acts as a bottle holder to support the bottom of the tripod, with a strap near the top of the pack to secure it.

Most standard camera bags are around 20-30 L. This is plenty of room for camera gear, a laptop or tablet, and other essentials. The Deuter Jaypack 34+ comes with a range of dividers that allow for endless customization options and enough room to fit a telephoto lens, and even a drone.

If you go out on longer multiday trips, opt for a larger pack — 50 to 60 L might be a good size. In this capacity range, we especially love the Shimoda Action X50 V2, which carries well and has added features. Find a padded camera cube so you can pack your camera and lenses safely in the pack if you don’t plan on getting one with integrated camera storage.

As far as pack durability goes, double-stitched straps and high-denier (thicker) materials will help your bag withstand standard wear and tear. For keeping your gear safe, the more padded the backpack, the safer your equipment will be.

Also, the more snug the compartment design is, the better. Extra space leaves room for gear to jostle around whether you’re running through the airport, riding your cruiser to the park, or steering a dirt bike to an overlook for sunset.

Look for a pack that has padding that surrounds the main compartment, not just on the separators. If you tend to be extra hard on your gear, some bags have hardshell liners for extra impact protection.

It’s important to know the difference between waterproofing, water-resistant, and how long these materials last. If you want to be prepared for any weather, definitely look for a backpack that is waterproof with waterproof zippers.

Water-resistant bags are great for minor exposure to liquids and in between throwing on an additional rain cover or rain jacket. They will eventually become saturated if there is substantial water so be sure to consider a game plan if you’re out and about during rainy or snowy seasons. In any case, you can always plan to move your camera backpack underneath a rain jacket for coverage on the move.

If you tend to shoot in rainy weather, look for a pack that comes with a rain fly. Many packs stash these in a small pocket on the exterior for quick deployment.

Be wary of packs that are advertised as waterproof. Even if the bag’s material is waterproof, the zippers usually aren’t. So, while a waterproof exterior may repel rain, humidity, mist, or splash action from the bottom of the canoe, there’s a chance that it can seep in through the zippers and get your camera wet.

Camera backpacks can get heavy fast. If you’re planning to pack multiple cameras, lenses, and accessories along with your laptop, it’s important to consider how much weight is bearable for your body and find a backpack that distributes weight evenly.

Many backpacks, like the Shimoda Action X50 V2, include chest and hip straps. Really great packs add padding to all the straps with adjustments to fit your body. Look out for these features and consider spending a little extra if you’re someone who often carries heavy gear.

Another thing to consider is how heavy the backpack is before you put your gear in. It’s a hard balance as extra comfort and padding usually lead to more weight while ultralight gear can be flimsy and less likely to distribute weight evenly. There are packs that do a great job of balancing both comfort and protection with good padding and weight distribution to help offset the discomfort.

Some camera packs put these two important comfort qualities on the back burner, which is a bummer because a loaded pack of electronics is a fair load to carry around! Ideally, the shoulder pads are breathable, ergonomic, and well-cushioned.

Likewise, the back panel should have cushion, support, and hopefully breathability through a mesh material and airway channels between the pads.

Hip belts that are constructed of a simple strap will help secure the load from swinging around but will not support the load off the shoulders and upper back. They are also not the coziest to snap on.

Cushioned hip belts help to protect the hips from rubbing and carry a portion of the pack weight, relieving the upper back; plus, they are generally more comfortable. For folks with back or neck pain or injuries, be sure to look for adequate pads in your camera pack.

Different camera backpacks serve different creatives’ needs. Whether you gravitate to simple day or wedding shoots, or frequently find yourself filming technical expeditions lasting for months, there’s a pack out there with your name on it. We’ve broken down some of our favorite camera backpacks into three main categories. Most of these packs are featured above, while some we have reviewed in previous years.

Camera backpacks vary dramatically in price and features. Generally, the more you want to carry (e.g., multiple camera bodies or lenses), the pricer the backpack becomes. However, size isn’t the only factor that matters. Weather resistance, durability, and the level of camera protection can also impact price.

Whether for personal or professional use, be prepared to spend a little extra on a good backpack. Camera backpacks vary dramatically in price and features. Generally, the more you want to carry (e.g., multiple camera bodies or lenses), the pricer the backpack becomes. However, size isn’t the only factor that matters. Weather resistance, durability, and the level of camera protection can also impact price.

The budget category ranges from as low as $30 to around $100. Here, you can find backpacks like the CADeN Camera Backpack ($36), a true barebones camera bag. At this tier, the bags are made of questionable fabric that lacks waterproofing, and they may lack padding and ergonomic support. These bags generally are less comfortable and hold less gear than other options, however, these budget bags may be the right choice for you depending on the way you use them. The CADen has enough padding to properly protect your gear, but it lacks support for heavier loads. While these packs may not save your back, they are easier on your wallet.

These camera bags range from $150 – $250, and most camera backpacks fall into this range. The standouts in this tier are the Lowepro ProTactic 450 AW II ($220) and the Tenba DNA 16 ($230). At this level, backpacks have more features like laptop pockets and waist straps. They typically also have more ergonomic and comfortable designs. These bags are worth the price jump as they are significantly better for daily use. At this price point, the backpacks are still on the smaller side, so if you’re looking for a quality bag that can hold a lot of gear, then you should check out the premium bags.

Premium bags start at $300 and go upward, with the most expensive in our guide in the $500 range. Here the backpacks come with the most features like extra padding, waterproofing, and the ability to hold multiple camera bodies and lenses. If you plan on doing big days in the mountains, these will save your back from discomfort. A camera bag filled with a drone, multiple bodies and lenses, and even a gimbal, can be worth thousands of dollars. It’s best to protect that investment with a high-quality backpack protecting your precious camera equipment from weather, shocks, and drops. The standout in this category is the Shimoda Action X50 V2 ($350) for its ability to securely carry a range of cameras and outdoor gear in all weather conditions while your back gets the support it needs to haul all that weight around.

Protection, organization, weight, access, gear fit, and comfort are the key components of good camera bags. Look for a bag with a padded interior, plenty of internal and external pockets for keeping your small, easy-to-lose accessories handy, and a well-designed harness system that distributes the pack weight well.

Look for a pack that allows you to grab the camera on the fly thanks to a seamless side entry point.

Every camera bag has a padded compartment that’s designed to keep your camera safe from bumps and scratches. The best way for you to keep your camera safe in your pack is to pack it correctly.

Also, know that your average camera pack is not bombproof. Use common sense with your bag: Avoid throwing your bag around, sitting on it, or piling other bags on top of it, and your camera should be safe.

While camera backpacks are built with durable, often water-resistant material, note that zippers are not typically waterproof. Be aware that moisture, humidity, splashes, setting it in puddles, traveling through pouring rain or snow, or a spilled water bottle have the potential to reach your equipment.

Pay attention to your surroundings when you travel, too. If you’re overseas or in a crowded bus or train station or at an airport, consider using a lock on your pack. Not all camera pack zippers are compatible with TSA locks.

The TSA allows bags with cameras, tripods, and lenses if they fit in the overhead bin or under your seat. Drones are allowed through checkpoints. But individual airlines’ rules may vary. Check with your specific airline to see if your drone is allowed in your carry-on.

Short answer: no. If you feel like risking it, you can keep your camera in a regular bag. But the likelihood that your camera will be damaged is increased. And if you’re attached to your bag, you can always buy a padded camera cube, put your camera in it, and then place it in the bag.

That said, a camera bag will not only be safer for your camera but will also keep all your peripherals organized, allowing you to access everything you need when you need it.

Like a painter or graphic artist, every photographer is slightly unique with their technique, tools, and how they carry and operate their gear outside or indoors on a film mission. Generally, a few things that pros will carry include multiple memory cards, batteries, a lens wipe, a tripod, plus, of course, their camera and a couple of lenses tailored to the shots that they have in mind for that destination.

Sometimes they’ll also bring an extra camera, reflector, or light meter, but it really depends on how quick, fast, and lightweight they need to travel and what their objective or contracted project entails.

Just like any other piece of gear, it’s important to provide routine TLC to your bag. Clean the exterior and interior according to the product tag, and reapply water repellent too. Make sure the zippers are well-lubricated and clean.

Repair and patch any tears or deep scratches. Also, be sure to air out the interior pockets and camera cubes, as storing your equipment in a dry, clean space is important.

Head into the backcountry with the best backpacking backpacks of 2024. From budget-friendly options to ultra-comfortable picks, we’ve got you covered.

We tested the best daypacks of 2024 with options for every budget. Top picks include Osprey, Cotopaxi, and more.